thirdspacearts
Melissa Raman Molitor
ATR-BC, LCPC
SAIC Faculty Sabbatical Triennial
Group Exhibition
Aug - Dec 2022
SAIC Galleries, Chicago, IL
Artist Statement
I am a first generation South Asian Pacific Islander American of Filipina and Indian descent, a cisgender able-bodied woman, a US born citizen, the daughter of immigrants, a descendant of healers, a working mother to mixed race children, a feminist-activist, caregiver, mental health practitioner, educator, socially engaged artist, and scholar in terms not defined by a white, colonial, patriarchal, academic system, but by women storytellers, cultural weavers and social framers.
My work explores the visual, performative and culinary arts as acts of disruption, solidarity and care. I seek to create spaces in my community where art making and creative engagement are forms of healing and change. Spaces that exist in between and outside of the 'norm' and center non-dominant stories that are often silenced or go unheard.
The Story Table embodies the act of passing ancestral wisdom and traditions, healing practices, ritual customs and familial stories from generation to generation in an effort to preserve culture. Embedded in the table are personal artifacts that serve as an archive of my family history and a map of our immigrant journey. The creation of the table (constructed with the assistance of woodworker Ron Cramer) was a ritual in itself - choosing, placing, and encasing each object in a way that both unearths intimate accounts and honors lived experiences. The process of creating the piece involved the physical and psychological pain of grief and loss, a recognition of intergenerational resilience, a reclamation of power, and a catharsis that can only be met with love and hope. The woven pieces, sculptural items, and found objects presented with the Story Table offer touch points in the narrative that was created for this space.
Kitchen Table Stories Installation
Traditional cultural and healing practices are creative embodiments of a people, and are often expressed through the arts. They have been passed down from generations and are integral to daily life. Few customs and traditions throughout the world have been untouched by colonialism and imperialism, and many have been misappropriated or eradicated.
Decolonizing the arts involves reclaiming, renewing and reaffirming these practices. It necessitates critically examining the structures that are in place to oppress and erase people and communities. It is decentering the dominant white narrative and shifting focus to spaces, voices, and stories that represent people who are racialized and marginalized due to their social identities.
The Kitchen Table Stories Project is a multimedia healing justice initiative that aims to address generational trauma from systemic violence and oppression by reclaiming ancestral healing practices, renewing cultural rituals and traditions, and reaffirming the interconnectedness of art and daily life. The project centers the voices, experiences and stories of the local Asian, South Asian and Pacific Islander American diaspora, and intends to claim space in the community with our stories, traditional practices, and cultural wisdom.

Story Table
2022
Mixed Media with Wood, Epoxy and Found Objects

(created in collaboration with woodworker Ron Cramer)
Panseremonya II
2022
Mixed Media with Wood, Capiz, Fibers and Found Objects


Pámayanán II

Pámayanán II

Story Table (detail)

Pámayanán II